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Ambassador of the Dead, by Askold Melnyczuk
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One Sunday morning, Nick Blud, a successful Boston physician, is home in bed when he receives a phone call from Ada Kruk, the mother of a boyhood friend. Ada summons Nick back to his old Ukranian-American New Jersey neighborhood, where something unspeakable has just happened-exactly what, no one is willing to say. To find out, Nick sets off on a journey through the past, his own as well as that of Ada's son, Alex, who long has struggled to escape his family's legacy of violence.
A harrowing tale about friendship and love, America and the immigrant's dream, Ambassador of the Dead introduces Ada Kruk, a mother like no other, at once Mary and Medea, Sarah and Medusa. A study of ambitions gone awry and appetites too easily gratified, this novel is also an unflinching meditation on exile and assimilation and the price of love.
Dan Cryer of Newsday labeled Ambassador of the Dead “…Artistic gold” calling Melnyczuk “an able analyst of character and a superb storyteller.” And, Esquire magazine said “A novel so precise and understated it’s stunning.”
- Sales Rank: #1905579 in eBooks
- Published on: 2011-10-10
- Released on: 2011-10-10
- Format: Kindle eBook
From Publishers Weekly
This tale of Ukrainian immigrants' attempts at adjustment to life in America has a dreamy affect, but its undercurrent of emotional honesty gives it bite. Nick, a Boston doctor, is drawn back to his hometown of Elizabeth, N.J., by the news that his childhood friend Alex is in trouble although he does not yet know what kind of trouble. He finds first that Alex's mother, Ada, once vibrant and attractive, is now embittered, lonely and nearly blind. Nick reminisces about his past, focusing on memories of his friend for most of the book. As a child, Alex was mischievous, but eventually became more and more wild, due in part to his father's abuse and subsequent abandonment. Throughout the novel he is agitated by society and by his own psyche, gradually losing his sanity. Melnyczuk (What Is Told) writes exceedingly well-controlled miniature narratives that begin as soft-focus reveries and develop into darker tales that confidently clinch the attention and release it just as smoothly. One of Alex's mother's early lovers seems gentle during their initial courtship, then expresses sadomasochistic desires; she pursues another failed romance with an ‚migr‚ poet. Even the story of the narrator's marriage is laced with strife: his wife confesses that she had rejected his earliest advances because he was Ukrainian and she was Jewish. The book drifts in a Proustian fashion, vividly portraying the difficulties of cultural assimilation until the jarring conclusion. Recollections that might have fizzled in another author's hands here grow luminous and haunting.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
This ambitious, harrowing novel by AGNI editor Melnyczuk (What Is Told) tells of Ada Kruk, an innocent Ukrainian girl victimized by cruelty and violence during World War II. During the occupation of her homeland, Ada is brutally raped by a soldier one winter night on her way home from skating at a local pond. Soon after, her father is arrested and murdered by the occupying Nazis. The memories of these and other atrocities haunt Ada for the rest of her life long after the war ends and long after she immigrates to the United States and begins a family of her own. Battered and confused, Ada is a deeply tragic figure, and Melnyczuk tells her story with great sympathy and insight. As Ada's narrative unfolds, Melnyczuk also explores profound questions related to violence, the weight of the past, and the kind of pain from which it is impossible to recover. A very powerful and disturbing novel; recommended for all libraries. Patrick Sullivan, Manchester Community Coll., CT
Copyright 2001 Reed Business Information, Inc.
From Booklist
Nick Blud returns to his old New Jersey neighborhood at the request of Ada Kruk, the mother of a boyhood friend. Not ready to explain why she invited him, Ada stalls by recounting stories of the past. At Ada's insistence, Nick chronicles what he knows of the Kruk family history. After the family emigrated from the Ukraine, Ada and her sons found themselves abandoned by her husband. She took solace in the company of men and in speaking to the ghosts of her dead relatives. She was adamant regarding teaching her sons about the country they left behind, and mourned the life she could have had and the choices she should have made. But the history of the Kruk family isn't finished until Ada tells the final chapter, revealing the tragic reason she called on Nick. Through the story of the Kruks, Melnyczuk intelligently explores the problems of assimilation, the pain of war, and the fear of leaving the past behind, and he poignantly captures the disillusionment and disappointment when the American dream never materializes. Carolyn Kubisz
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
6 of 6 people found the following review helpful.
PROCESSING THE SINS AND PAIN OF THE PAST
By Larry L. Looney
We are each a storehouse of the accumulative pain that we have experienced, handed down to us by our parents and other significants -- how we recognize, view and process that pain draws the boundaries of the way in which we live our lives. Some people have a tougher time dealing with their past than others -- and when, as in the case of Nick Blud, the narrator of Askold Melnyczuk's dark, rich and extremely moving novel, that pain is multiplied by the suffering endured by his parents and grandparents, it's an almost insurmountable task. To make matters even more difficult for him, his parents -- Ukranian immigrants who have made a new life in America -- are reluctant to give many details about what they experienced in WWII in their homeland. This novel chronicles Nick's journey inward and backward to fill in the gaps in his family's past and come to terms with them. There are several characters in the novel who are making this journey -- and, indeed, aren't we all, to varying degrees? Each of them has their own discoveries to make, their own ghosts to exorcize, their own truths to define. Some of them are up to the challenge -- and some of them fail in devastating ways.
The mood of Melnyczuk's novel is dark -- but the writing is very rich, expressing the desperation and hope, the pain and joy, the terror and exultation in which his characters are awash. The emotions here run strong and deep, and they are honestly -- at times brutally so -- portrayed. A premise is expressed toward the end of the novel -- and this isn't a spoiling revelation, don't worry -- about the nature of darkness and light in our lives: 'Death, a writer once observed, is the dark backing a mirror needs if we are to see anything'. We need one in order to know and appreciate the other.
I found the novel to be modrately compelling for the first 100 pages -- then it picked up steam and held me unrelentingly in its grip for the duration of the story. The characterizations are full, developed vivdly, and memorable. This is one of the more unusual tales I've come across in the last year or so -- very entertaining on one level, and very instructive on another. I'll have to check out the author's earlier novel, WHAT IS TOLD -- I'm extremely impressed with the skills and style he has shown in this book.
5 of 5 people found the following review helpful.
WALKING WITH THE DEAD
By S. F Gulvezan
The narrator of Askold Melnyczuk's masterful novel, a successful physician, thinks that to a large extent he has escaped the past - the troubled lives of his Ukranian immigrant friends - and become successfully assimilated into the American dream of upward mobility. In the course of the novel he learns that the past is not like the pages of a photo album that you can leaf through when the spirit moves you; rather, it lives within you, influences and molds you, whether you want it to or not, and can spring out at you, like a tiger crouching in the bushes outside your sunny suburban home. A difficult theme, and Melnyczuk handles it well.
4 of 4 people found the following review helpful.
WALKING WITH THE DEAD
By S. F Gulvezan
The narrator of Askold Melnyczuk's masterful novel, a successful physician, thinks that to a large extent he has escaped the past - the troubled lives of his Ukranian immigrant friends - and become successfully assimilated into the American dream of upward mobility. In the course of the novel he learns that the past is not like the pages of a photo album that you can leaf through when the spirit moves you; rather, it lives within you, influences and molds you, whether you want it to or not, and can spring out at you, like a tiger crouching in the bushes outside your sunny suburban home. A difficult theme, and Melnyczuk handles it well.
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