Jumat, 26 April 2013

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  • Sales Rank: #5656276 in Books
  • Published on: 1994
  • Binding: Hardcover

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Sabtu, 20 April 2013

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Excitement abounds when Kiska returns to Edinburgh, Scotland with the anticipation of her university experience. But even with friends and family to guide her, there are unforeseen dangers coming from different directions. Kiska is thrilled that her father saved her mother’s paintings and other possessions, until she unexpectedly uncovers a mystery about her mother. To find the answers, she embarks on another journey. This time she must go to one of the most unique landscapes in Scotland and explore the mystic Isle of Skye. But she is not alone, others are carefully tracking her along the way. The closer she gets to the truth, the greater the dangers become. Unfortunately, time is also running out. Now that she has started another roller coaster ride through the highlands, it is too late to get off without mayhem and death.

  • Sales Rank: #1519971 in eBooks
  • Published on: 2014-02-24
  • Released on: 2014-02-24
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Another Favorite
By Mary Lou Wallace
I could hardly put this book down. It is set in Scotland, a land about which I love to read. There is a murder mystery woven into the plot, another favorite of mine. And to top it off, there is Scottish history. Though the book is set in modern times, the characters have ties to the ancient Picts. I loved it! Be sure you read her first book, The Pictorial Adventure, to set the stage for this one.
Mary Lou Wallace

0 of 0 people found the following review helpful.
Highly recommended
By Kindle Customer
An adventurous book that got me hooked from the start and I loved learning so much more about Scotland's history and beauty.

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Jumat, 19 April 2013

[M472.Ebook] Download Ebook Zen in the Art of Photography, by Robert Leverant

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Zen in the Art of Photography, by Robert Leverant

ZEN IN THE ART OF PHOTOGRAPHY, first published in 1969, captures the joy of photographing and the meaningfulness of the pursuit of photography for the photographer and culture at large. It is not a book about how to take a good photograph. In the broadest sense, ZEN IN THE ART OF PHOTOGRAPHY is a poetic ode on photographing with an open heart/awareness that is saying thank you to life itself. As such, the text expresses and explores in simple words the connection between and the relationship of the photographer to the subject in the lens in the Decisive Moment when the shutter is released. During the Sixties and the Seventies, based on the number of books sold, this book influenced more than thirty-thousand plus photographers and non-photographers in North America, Japan, and Europe. It was used as a textbook in many universities (including Harvard) and at photography and art centers, received rave reviews, won awards, was translated into a German edition, and carried as a talisman by many photographers some of whom passed it on to a photographer friend as a well-worn and heartfelt gift. Long out of print, this is a revised edition published in 2011.

  • Sales Rank: #1696355 in Books
  • Published on: 2011-03-30
  • Number of items: 1
  • Binding: Perfect Paperback
  • 40 pages

Review
Poetic in conception, the work is actually a pretty down-to-earth discussion of the relationship between the photographer and the images he creates. --San Francisco Examiner

ZEN IN THE ART OF PHOTOGRAPHY goes back to the essential question of why not just why we take photographs but why we do anything. It is a beautiful, poetic reminder that How is only important when there is a Why. --Big Rock Candy Mt.Resources for Education

Retrospective: Eli Siegel for his Theory of Opposites...: Alain Robbe-Grillet for The Secret Room in SNAPSHOTS ; Lawrence Durrell for THE BLACK BOOK ; ... Edward Hopper; Paul Klee; Robert Leverant for ZEN IN THE ART OF PHOTOGRAPHY ; Albert Camus; Timothy Leary; Dylan Thomas; Jean Arp. FIRST LATENT IMAGE AWARDS: Readers Nominees; Village Voice --The Village Voice, NYC

About the Author
Robert Leverant is a photographer and licensed psychotherapist. In addition to ZEN IN THE ART OF PHOTOGRAPHY, he is the author of PHOTOGRAPHIC NOTATIONS , ON THE TRANSMISSION OF PHOTOGRAPHY and numerous articles in photography journals and books. He has taught photography at Esalen Institute, Feathered Pipe Ranch, The Mendocino Art Center, Oakland College of Arts and Crafts, and at workshops at photography centers. He is a founding member of the San Francisco Camerawork Gallery and has exhibited his photographs there and in other gallery settings. In the mid-Sixties, he was one of three photographers in Northern California who successfully challenged the photographic establishment to accept color photographs as legitimate art. This resulted in color prints being exhibited in prestigious galleries along with black and white format.

Most helpful customer reviews

23 of 25 people found the following review helpful.
Yoda on Photography
By Conrad J. Obregon
1

I thought I would write this review in the style of this book.

2

I couldn't center the paragraph numbers in Amazon's review software, so they appear on the left.

3

The book is really just a pamphlet.

4

The pamphlet mainly uses a single sentence, or at most, a few sentences at a time, for an idea.

5

I suppose this is supposed to convey some kind of Zen-like impression.

6

The style didn't work for me.

7

I abandoned the style.

It's not that the ideas in the pamphlet are wrong. The pamphlet is titled in a fashion similar to the famous "Zen in the Art of Archery", which by the way, would serve a photographer far better than this pamphlet. Undoubtedly, every serious photographer should believe in these ideas: it's the photographer who makes the photograph, not the camera; photography can transform the photographer; the photographer should slow down. But if the sentences in the pamphlet were strung together as normal paragraphs, they would make a nice length article or short essay. If the ideas had been explored in depth they would have made a good book, and indeed several writers on photography have done so.

There is nothing particularly Zen in the pamphlet, or even religious or mystical. If one wanted to read about applying Zen to photography, one would be better off reading the works of John Daido Loori, like "The Zen of Creativity: Cultivating Your Artistic Life" or, for a less mystical but Zen-like view "Tao of Photography: Seeing Beyond Seeing" by Phillipe L. Gross and S. I. Shapiro.

8

I'll return to the pamphlet's style.

9

This pamphlet is not worth the price.

3 of 3 people found the following review helpful.
Not what I'd hoped for
By Byron Taylor
This apparently consists of a conversation with a zen master, with every line numbered so that there are about six to eight lines per page. And in a 40-page book, you can imagine that it's a short read. I suppose it could be a daily inspiration book, but I didn't find it that inspirational.

1 of 1 people found the following review helpful.
an art of listening
By Rick Belden
Zen in the Art of Photography, by psychotherapist and photographer Robert Leverant, is a gracefully tight articulation of philosophy and process that reads like poetry. This little book is beautiful in both appearance and content. It even feels good in my hands. I'm neither a photographer nor an expert on Zen, but I enjoyed this book nonetheless, and I think that says something about the universal truths contained within.

Many of the insights offered about the process of creating a photograph echoed my own experience as a writer and poet. Leverant speaks of photography as "an art of waiting" and "an art of listening." If the photographer listens well enough, if he has developed sufficient discipline, the photo takes itself. I've often told others that I feel as if my poems write themselves, but this only happens when I'm able to give them the time and space they need to emerge.

The processes and philosophy in this book may be specific to photography, but I believe that anyone engaged in creative activity who reads it can gain some valuable insights into the value of waiting, listening, and allowing art, whatever the chosen medium, to find its own path.

Rick Belden
Author, Iron Man Family Outing : Poems About Transition Into A More Conscious Manhood

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Selasa, 16 April 2013

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Prepare to Board! Creating Story and Characters for Animated  Features and Shorts, by Nancy Beiman

Packed with illustrations that illuminate and a text that entertains and informs, this book explains the methods and techniques of animation preproduction with a focus on story development and character design.

Story is the most important part of an animated film-and this book delivers clear direction on how animators can create characters and stories that have originality and appeal. Learn how the animation storyboard differs from live action boards and how characters must be developed simultaneously with the story. Positive and negative examples of storyboard and character design are presented and analyzed to demonstrate successful problem-solving techniques. Artwork from an international array of students and professionals supplement the author's own illustrations. Three never-before-published interviews with well known development artists and a comprehensive glossary are also included.

  • Sales Rank: #758873 in Books
  • Published on: 2007-03-01
  • Released on: 2007-03-02
  • Original language: English
  • Number of items: 1
  • Dimensions: .80" h x 7.20" w x 10.20" l, 1.92 pounds
  • Binding: Paperback
  • 332 pages

Most helpful customer reviews

15 of 16 people found the following review helpful.
Fantastic!
By Amazon Customer
"Prepare to Board" covers most pre-production aspects of an animation project, but focuses mostly on storyboarding and character design. This book does a better job on both these subjects than most other books can manage on just one.

A lot of storyboarding books out there focus on the live action or advertising methods where boards are used to illustrate an existing script a sell a rough concept to non-creative executives. The methods Nancy Beiman shows are far better suited to animation's use of storyboards to create the story itself.

Along with guidelines on how to increase the cinematic storytelling power of your boards, there are also plenty of tips on how to get that power across when presenting boards to others.

When it comes to character design, "Prepare to Board" is up there with Tom Bancroft's "Creating Characters with Personality: For Film, TV, Animation, Video Games, and Graphic Novels" as one of the few indispensable resources on the subject. All of her advice is aimed at making your character designs more functional for animation & storytelling (the most important asset of any character) as well as being unique individuals rather than stock characters.

The lessons Beiman shares in this book are exactly what you need to build a strong foundation for any animated project.

9 of 9 people found the following review helpful.
Excellent and very inspirational!
By Brett McCoy
I'm just an amateur artist and animator wannabee... but I have found this book to be very inspirational and am now finding new characters just flowing from my pencil tip (or tablet stylus :-P ) so much easier now... Nancy is a top-notch artist and is equally a top-notch teacher as well.

8 of 9 people found the following review helpful.
A valuable resource
By M. Furniss
Nancy Beiman is a well-known figure within the world of animation, having been a long-time animator at Disney, Warner Bros. and elsewhere, and also having taught in a variety of contexts, including her current position at Rochester Institute of Technology. Anyone who knows Nancy fairly well understands three things about her: she is a very gifted artist, she has high expectations of excellence for her students, and she is very broadly knowledgeable about the arts, traditions of humor, and animation itself. Combine these characteristics with the fact that Beiman is one of the most accomplished female animators within the US industry, and you can understand why I was eager to see this book come to life.
Over the last year, I finally completed work on a production-related book, and during that time I consulted with Nancy on various topics. She told me about her own book and, knowing about her ecclectic background and broad knowledge base, I was eager to see how her project would be realized. What I found is pretty much what I expected, a book that introduces essential concepts, but enhances them with discussion of aesthetic issues and is grounded in an appreciation for the history of classical Hollywood animation, with breadth in examples from other animation practices.
So many animation students struggle with story and developing the cinematic aspects of their work, in order to tell their story visually. Beiman's book offers instruction in chapters devoted to the development of story, storyboarding, types of stories (situation driven, character driven, ways to manipulate the `real'), character development and design, scale and location. As the book's title suggests, a large portion of the text is devoted to storyboarding in various respects: sketches and working out roughs; story beats, sequences, and pacing; and visualizing a script, among other topics. She also focuses on refining characters and art direction, including the use of color. Finally, she addresses topics related to the presentation of storyboards and their use in the production process.
Beiman's writing will appeal to anyone from the beginning artist on up, as she writes in a colorful manner and uses a range of examples drawn from her own experience and her analysis of many films. Included in the appendix are interviews she conducted with A. Kendall O'Connor, T. Hee, and Ken Anderson, and the book itself is filled with quotations and short Q and As with the likes of Tex Avery and other well-known figures. Many illustrations--both instructive and humorous--enhance the book, adding extra appeal for the reader. A number of these images come from students Beiman has worked with through the years, attesting to her influence on many young artists.
Prepare to Board is highly recommended for libraries at institutions where production is taught, particularly at the high school and undergraduate levels, and for all artists wishing to learn more about character development, story, and boarding.

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Jumat, 12 April 2013

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Play like Chet Atkins: The Ultimate Guitar Lesson Book with Online Audio Tracks, by Andrew DuBrock, Chet Atkins

(Play Like). Study the trademark songs, licks, tones and techniques that made Chet Atkins a legend. Each book comes with a unique code that will give you access to audio files of all the music in the book online. This pack looks at 17 of Atkins' most influential songs including: Cannon Ball Rag * The Entertainer * Galloping on the Guitar * Mister Sandman * Yakety Axe * and more. Online audio is accessed at halleonard.com/mylibrary

  • Sales Rank: #874695 in Books
  • Brand: Hal Leonard
  • Published on: 2014-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .37" w x 9.00" l, .0 pounds
  • Binding: Paperback
  • 144 pages

Most helpful customer reviews

3 of 4 people found the following review helpful.
The ebook has NO AUDIO...big negative
By dudeabides
Im sure books and its contents are awesome But I had to return it , due to the fact that the ebook (kindle desktop) version does NOT include audio for this book, even though it is stated on the product information that it does..this is misleading at best. ebook buyer beware, if you dont mind NOT having the audio to the ebook then go ahead and purchase it.

1 of 1 people found the following review helpful.
good reference
By Blackbelt
A worthwhile addition to any finger pickers library. I learn something new every time I go back to this book.

0 of 0 people found the following review helpful.
Five Stars
By Frederick Brown
Great!

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[O900.Ebook] Free PDF Smoke on the Mountain, an Interpretation of the Ten Commandments, by Joy Davidman

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Smoke on the Mountain, an Interpretation of the Ten Commandments, by Joy Davidman

  • Published on: 1974
  • Binding: Paperback
  • 141 pages

Most helpful customer reviews

10 of 11 people found the following review helpful.
A Good Reflection
By J. Rios
G.K. Chesterton once described with mirth the experience of imagining Churches turned upside down, their spires pointing into the ground. The effect for him was of seeing something in an entirely new way, a twisting or tuning of reality that made something assumed appear in a fresh light. It is an effect that Chesterton frequently practiced in his writing, because he knew well that the mundane can easily be marvelous again with merely a change in perspective. This twisting, perspective-changing characteristic is the great strength of Joy Davidman's take on the Ten Commandments, Smoke on the Mountain. From it, I have come away with a renewed perspective, a challenged and changed view of the assumed and sometimes mundane Ten Commandments.

Davidman was the wife of C.S. Lewis and a fascinating character in her own right. She was Jewish, a former Communist, an American, and these characteristics are reflected in her book. As Lewis says in the introduction to the book, "every story of conversion is the story of a blessed defeat" (7), and in submitting to Christ all of Davidman's diverse history is brought into the service of her faith, providing the unique lens through which she views the Ten Commandments. (Incidentally, if you're interested in reading about her life, I highly recommend Lyle Dorsett's A Love Observed.)

As I've hinted already, Davidman's strength is in her ability to take the familiar words of the commandments and tune them in such a way that you hear them in fresh and challenging ways. In her discussion of the second command, to make no idols, Davidman says the following: "The essence of idolatry is its attempt to control and enslave the deity" (33). Here she cuts to the quick of the matter, and shows that idolatry is not a matter chiefly of gold or silver, but of the heart of man and his attempt to create gods that he can control rather than submitting to the God he cannot control.

Or take the third commandment (against taking God's name in vain). Challenging our assumptions, Davidman dismisses the simple interpretation which likens this commandment to a kind of cursing, observing that "Profanity does not insult God--a man cannot insult God; but it does cripple man" (44). Instead, according to Davidman, "what was prohibited was the misuse of power" (44). Not leaving us to simply meditate upon this truism, Davidman takes it a step further and shows how we've taken God's name in vain by applying to our own personal causes the name of the deity.

"If we object to meat-eating, we declare that God is vegetarian; if we abhor war, we proclaim a pacifist Deity. He who turned water into wine to gladden a wedding is now accused by many of favoring that abominable fluid grape juice" (46).

And of course she is right, because the real danger in taking the Lord's name in vain is applying to our own preferences a kind of divine approval. And thus she brings these observations even closer to home:

"There can hardly be a more evil way of taking God's name in vain that this way of presuming to speak in it. For here is spiritual pride, the ultimate sin, in action--the sin of believing in one's own righteousness. The true prophet says humbly, 'To me, a sinful man, God spoke.' But the scribes and Pharisees declare, 'When we speak, God agrees.' They feel no need of special revelation, for they are always, in their own view, infallible. It is this self-righteousness of the pious that most breeds atheism, by inspiring in all decent ordinary men with a loathing of the enormous lie" (46).

Of course, the book has its share of issues as well. The individual chapters feel a little formulaic (story, debunking of assumptions, re-telling of commandment), and some of the examples are locked into 1950s America. What is more, on several occasions Davidman's interpretations are not always on target. She relies a little too heavily on some common, anthropological theories about the development of both man and religion (theories which were presumed facts in the decade of this book's writing) and neglects some of the bible's own witness. For example, in her discussion of the command against adultery she identifies the impetus of the injunction as a protection of property, and while property rights are surely a portion of the seventh commandment, she misses the broader and more important element of covenant breaking which stands at the biblical heart of the commandment. These kinds of oversights serve to remind the reader that one is reading a reflection and meditation on the commandments and not a proper commentary. On the whole, however, the experience of reading Smoke on the Mountain was rewarding and enriched my understanding of the Ten Commandments.

Who Should Read This Book:

Anyone looking for a fresh devotional meditation on the Ten Commandments, but perhaps especially a minister preparing to preach on one or all of the commandments.

Other Memorable Quotes:

126 - "We sometimes come to God, not because we love him best, but because we love our possessions best; we ask Christ to 'save Western civilization,' without asking ourselves whether it is entirely a civilization that a Christian could want to save. We pray, too often, not to do God's will, but to enlist God's assistance in maintaining our 'continually increasing consumption.'"

135 - "It is a poor sort of faith that imagines Christ defeated by anything men can do."

13 of 13 people found the following review helpful.
Ten Stars for this one!
By LindaT
Joy Davidman was an American born poet critic, novelist and Christian writer who later married Christian apologist C. S. Lewis. She was born Jewish, spent some time in the Communist party and later accepted Christianity. This book, written in the 50's, was written about the implications of the Ten Commandments for contemporary society -- and in my opinion, it is as up to date now as when it was written.

Each commandment is explained in the way that only a person of Jewish background can do. She often compares and contrasts our society today with the time in which the commandments were originally given. This helps the reader to understand them in more detail.

The only way I could list everything that has helped me from this book would be to rewrite the book here -- which, of course, would be impractical.

Where would I start?

Each chapter is full of insights that will make you stop -- many times -- and think and reflect. In her chapter "Day of Rejoicing" which deals with keeping the Sabbath, she points out how people through the history of Judaism and Christianity have taken the Sabbath and made it into a chore as opposed to the day of rejoicing and celebration that it was supposed to be. (It made me remember my own religious upbringing where I was surrounded by a big list of things that I was NOT supposed to do on Sunday.) She ends the chapter with a question and answer:

Q. How do you keep a day holy?

A. By seeing that it is holy already and behaving accordingly.

In her chapter about adultery, she is even bold enough to say, ". . . true and Christian remedy . . . is to hold the men to as high a standard as women."

On the subject of guilt she says, "For the only way to get rid of a sin is to admit it . . . the Christian is the only man who does NOT go around all the time feeling guilty. For him, sin is a burden he can lay down,. . . It is the unfortunate creature who denies the existence of sin in general or his own in particular who must go on carrying it forever."

It is rich with biblical and historical information and guaranteed to build your faith.

You'll love it!

5 of 5 people found the following review helpful.
What a treasure!
By Nancy G.
This book is packed with wonderful stories and illustrations, a great resource for sermons and Bible studies. Though Joy Davidman wrote it over half a century ago, it is absolutely relevant today. When she critiques our society 'today' (in the '50's), she conjures up our culture in the 21st century as well. Particularly strong is her chapter on stealing. Here we see how righteous indignation over our trying to 'get something for nothing' led her to communism and finally to Christ.

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Kamis, 04 April 2013

[T402.Ebook] Ebook Download Second Chance Bird (Ring of Fire Press Fiction Book 2), by Garrett W. Vance

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Second Chance Bird (Ring of Fire Press Fiction Book 2), by Garrett W. Vance

Is 1632 too late to save the Dodo? Even if it's not, is it humanly possible?

Little is impossible if you have the imagination, and if you live in the Europe where Grantville landed.

An adventure tale by Garret W. Vance set in the world of Eric Flint's "1632."

A previous version of this story was serialized in the Grantville Gazette.

  • Sales Rank: #82844 in eBooks
  • Published on: 2013-06-19
  • Released on: 2013-06-19
  • Format: Kindle eBook

Most helpful customer reviews

3 of 3 people found the following review helpful.
Strong start, weak middle, lousy end
By Robin Rhoads
A summary: Princess Kristina learns about the extinct dodo when Caroline Platzer reads Alice in Wonderland to her. Kristina is no dummy and realizes that just because it was extinct when the book was written doesn't mean it's extinct yet, and a quick check shows that they have thirty years before the last reported sighting of a dodo. Caroline contacts Pam Miller, Grantville's resident bird watcher, on the princess's behalf. Will Pam lead an expedition to the far flung island of Mauritius in order to save the dodo? Not only does she, but she also brings along her two best friends - downtimers Gerbald and Dore. Princess Kristina funds a four-ship expedition. The trip down is fine, but when they arrive, a French warship is waiting for them. Their military escort sacrifices itself, and Pam's ship, the Redbird, flees. The two colonist ships' fates are unknown.

Pam, her friends, and the crew wash up, shipwrecked. The captain is presumed to have gone down with his ship. The remaining souls turn to Pam for leadership. There's a great deal of problem solving as they set up a permanent camp. Pam eventually finds her dodos, not to mention an island filled with diverse, non-extinct flora and fauna. Their escape comes in the form of a Chinese junk in the hands of Middle Eastern pirates. Pam the birdwatcher hatches scheme after scheme and suckers most of the pirates off the boat, ambushes the rest of the pirates on the boat, and takes over the ship. Some minor characters are killed in battle.

They take the ship around to the bay where the French ship lurked and discover that their enemy is not a French naval vessel, but French marauders, possibly sent by Richilieu or Monsieur Gaston (this point is never clarified). The military escort and the colony ships have been taken, and their populations imprisoned and enslaved. With Pam dictating strategy and tactics, they take out the pirate crew and capture the captain. The prisoners and slaves are freed. The previously lost captain of the Redbird is among them. There is much partying. Then, Pam goes for a hike by herself without her gun, and - surprising no one - is kidnapped by an overlooked group of pirates who refuse to rape or kill her but instead hit her on the head with a rock and then drag her off around the countryside. Her friends track the kidnappers and eventually catch up with them, but not before Pam kills three of the four while recovering from a closed head injury, finding a lost Dutch colony, and being unanimously elected leader by them. There is more partying followed by sexy time with the captain of the Redbird.

The book ends with a handful of chapters that amount to an amputated "everyone lived happily ever after, and Pam was the most super cool awesome fantastic lady ever".

--------

I wanted to like this book. I really, really wanted to like this book. I noticed going in that there were occasional errors that a proofreader would have caught. Then I started seeing habits a good editor would have squashed. And then, around the midway point, the quality of writing dropped precipitously. It dropped to the level of bad fanfic. Internal thoughts skipped from character to character in the same paragraph. Exclamation points were gratuitously used. Characters get a full paragraph introducing them again in each chapter. Telling takes up far more of the story than showing. Informed attributes crop up all over the place. The action scenes are not well thought out, and the consequences are not followed to their logical ends. (You don't interrogate the pirate captain because you're cranky after the fight, so you have him imprisoned in a bamboo outhouse for three days, and you're SURPRISED that he escapes? Really?)

What I resented most was the failure to develop the protagonist in a successful manner. She's a 45 year old divorcee lab technician with a strained relationship with her son and a hobby many people think is peculiar, lame, and obsessive (no offense, birdwatchers). She is rife with opportunities to experience internal conflict, to fail, to doubt, to worry, and to grow. All we get is a cardboard Mary Sue loved by every single person on the face of the planet except the bad guys. Sailors with decades of life on the sea give her command of the ship. Blooded soldiers with death in their pockets ask her to plan every ambush, attack, siege, and rescue. The colonists happily accept her appointment as governor even with a dozen better qualified candidates.

If I had a chance to talk to the author, Mr. Vance, I'd advise him to do hire an editor and proofreader out of pocket, and to rewrite the entire second half of the book.

1 of 1 people found the following review helpful.
Great novel
By Gregg A Challman
Excellent book. I am glad they came out, is a less expensive novel of Eric Flint's world. I have followed this world, since. He created it hope he does more.

1 of 1 people found the following review helpful.
Better all at once
By R. Maurer
I read this in serial form, in the Grantville Gazette and enjoyed it, but it is much better reading it all at once. Thanks for making it available.

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