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Among today's filmmakers, scene transitions represent something wholly essential but not fully understood. Is there a hidden cinematic art which we are only beginning to uncover? Between the Scenes explores this art, delivering a fresh approach for filmmakers and screenwriters that will enhance the emotional impact of their stories. From location choices, to character movement between scenes, to the use of music, scene transitions are where the meat is in your story, and now you'll discover a new palette of creative possibilities.
- Sales Rank: #833699 in Books
- Published on: 2014-02-01
- Original language: English
- Number of items: 1
- Dimensions: 7.11" h x .43" w x 11.04" l, 1.06 pounds
- Binding: Paperback
- 166 pages
Review
"Between the Scenes is an entertaining and damn near exhaustive account of the ways that images and sounds can tie one scene to another ... He also raises ideas I never considered." - David Bordwell, author, Film Art: An Introduction
"Between the Scenes is the 'missing link' of film directing books! Jeffrey takes us on a well researched journey to prove why scene transitions are the best kept secret of storytelling -- because they help us connect our stories emotionally with the audience. If you want to be a better filmmaker, this book is a MUST read!"
- Peter D. Marshall, director, film directing coach
"Whether writing, directing, or editing, you'll find this is a practical text devoted to helping you strengthen the impact of your film by eliciting the right emotional connection from your audience."
- Greg Marcks, director of 11:14 and Echelon Conspiracy
Most helpful customer reviews
4 of 4 people found the following review helpful.
Great not just for Editors - but for Screenwriters, Directors - and even Creative Producers as well
By Heather Hale
In "Between the Scenes," Jeffrey Michael Bays has distilled the art of what many excellent editors do instinctively. Writers and Directors can learn a great deal from the way an Editor sculpts the raw footage to shifting between beats, scenes and sequences to cinematically express the gestalt of the internalized journey of the characters.
To illuminate this full palette of transitional techniques, he breaks them down into easy-to-understand categories, using examples as diverse as Hitchcock, to that famous viral You Tube Hitler clip :-) to a full case study on Ridley Scott's "Gladiator," to even the differences between cutting for film versus TV - all of which help put these strategic approaches in entertaining context. He further encourages you to synthesize these tools immediately by analyzing the script or project you're currently working on to assess which tools might be best used, where, for the greatest dramatic effect - and why.
As a writer or a director, your project can only benefit from your anticipating the same considerations your Editor will eventually be confronted with: Have you put the story in context and adequately conveyed the underlying mood? Have you left sufficient white space to allow your audience to think and feel? (I loved the concept of the "echo line" - reverberating from one scene and lingering into the next). Have you varied the length, intensity and mood of your scenes to achieve the right overall rhythm? Should you withhold, behold, tease or please? ;-)
Just as actors analyze scripts to determine where their character was before they came into the scene (so they can come on camera "in the moment"), Bays encourages his Readers to consider their characters' movement through geography to express each character's internal journey (without the pace lagging - unless you want it to!).
Writers usually have a very specific reason for why they chose to set a scene in a specific locale, but this book analyzes why a Director might creatively change some of those all critical locations, the time, weather, etc. (other than just budgetary or logistical constraints) - and encourages Writers to preconceive these creative juxtapositions. Most writers and directors are adept at using binary oppositions to achieve contrast but all too many forget (or don't have the patience) to stay that extra beat to capture critical character reactions. This book illustrates why all of these are so critical to multimedia storytelling.
We've all heard that a film is created three times: once when it is written (the whole story world created by the screenwriter), then when it is shot (what the Actors but especially the Director bring to capture the essence of moments in the lens) then finally, when the Editor puzzles together the pieces of the best of what was shot. And (if you're lucky), a great producer can also contribute immeasurably during development). In his "Between the Scenes," Jeffrey Michael Bays gives all three key phase leaders a great deal to consider when plying their craft - be it for film or Televison, on the screen or even still on the script page - as to how to connect their audience with a new character, relieve or build tension - and ultimately: emotionally and intellectually engage their audience.
Well done.
3 of 3 people found the following review helpful.
Gems among pictures
By Dave Watson, Editor, Movies Matter
Jeffrey Michael Bays's "Between the Scenes" uncovers so many unsung facets to filmmaking, you wonder why this material hasn't come to light yet. The author is aware of characters, music, objects, symbols, and other layers on how and why films flow. The choices of transition, when to build or reveal character, build tension, or provoke or answer questions. These are all done on various levels with various films. This is pure cinema, and storytelling in this art, which is what we set out to do. Changes from one scene to another keep us watching and make us feel think, and wishing for more.
Dave Watson, Editor, Movies Matter
[...]
2 of 2 people found the following review helpful.
Filling In the Gaps
By Script Gal
BETWEEN THE SCENES is that much-needed resource that both emerging and professional screenwriters, directors and editors will find immensely beneficial. Author Jeffrey Michael Bays deftly lays out the specifics of scene transitions from analyzing the six major transitions in a storyline to linking multiple plots to creating the cinetmatic ebb that taps into an audience's emotional responses and how music and locations can help to hook and sustain the film or television viewer. This book will definitely be recommended reading for my writing clients!
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