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Painter Hughie Lee-Smith (1915-1999) sought to transform his experiences growing up as an African American during the Great Depression into meditations on the human condition. In each of Lee-Smith's enigmatic compositions, barren landscapes, lone figures, and contrasting juxtapositions elicit many questions that lead the viewer to self-reflection. 'I cannot begin to project the meaning of my work in specific terms,' Lee-Smith said, 'for these paintings, at their best, are multi-faceted visual complexes whose many aspects are pregnant with as many disparate meanings as there are viewers.'
Active in the art scenes of Cleveland, Detroit, and Chicago, Lee-Smith found inspiration in the New Negro Movement-Harlem Renaissance and nurtured his artistic talents early by participating in the Works Progress Administration/Federal Art Project. While he objected to strict definitions of 'black art,' his personal struggles with race identity, social justice, and alienation became recurring themes in his paintings throughout his career. At times a realist and at times a romantic, Hughie Lee-Smith captured the uncertainty of a generation caught between memories of the past and the promises of the future.
The eighth volume in Pomegranate's critically acclaimed David C. Driskell Series of African American Art, Hughie Lee-Smith presents nearly sixty color plates from the artist's profound oeuvre. Author Leslie King-Hammond considers the powerful experiences that shaped Lee-Smith's vision, while a comprehensive chronology by Aiden Faust further informs the context of the artist's work. With historical family photographs, excerpts from Lee-Smith's own writings, and an insightful foreword by David C. Driskell, Hughie Lee-Smith provides an intimate look at one of the twentieth century s most distinguished artists.
124 pages with more than 65 color and black-and-white images, chronology, and index. Foreword by David C. Driskell and chronology by Aiden Faust. Size: 8.5 x 11 inches. Smyth-sewn casebound book with jacket.
- Sales Rank: #1182397 in Books
- Brand: Brand: Pomegranate
- Published on: 2010-03-31
- Original language: English
- Number of items: 1
- Dimensions: .77" h x 8.86" w x 11.30" l, 2.26 pounds
- Binding: Hardcover
- 124 pages
- Used Book in Good Condition
About the Author
Leslie King-Hammond received her BFA from Queens College (CUNY) and an MA and PhD from the Johns Hopkins University in Art History. She began teaching art history courses at the Maryland Institute College of Art (MICA) in 1973, became Graduate Dean Emeritus, and was appointed Founding Director of the Center for Race and Culture at MICA in 2008. Currently she is the Chair of the Board of the Reginald F. Lewis Museum of Maryland African American History and Culture in Baltimore. King-Hammond also sits on the boards of the Alliance of Artists Communities, The Creative Alliance at Patterson in Baltimore, and the Industrial Advisory Council for the NAACP/ACT-SO program. She has written numerous publications on African American artists, including an essay for the Jacob Lawrence catalogue raisonné.
Most helpful customer reviews
5 of 5 people found the following review helpful.
about time
By August Treesun
What a treasure.This is a wonderful book about one of the world's great neglected artists.Fifty seven full page full color reproductions plus numerous b&w photos and a thoughtful insightful biography.These beautiful and mysterious urbanscapes are so haunting and so poetic that they call to mind the work of De Chirico.There are no ancient ruins here though,there are midwestern tenements,and no Italian piazzas,there are inner city roof tops.Lee-Smith's paintings seem to express the loneliness,alienation,dreams and aspirations of 20th century African Americans.
They are surreal,they portray the reality within reality,the soul of people and places.Wounded but unconquered Lee-Smith was no bigot.Europeans, strangely conspicuous in this segregated world,sometimes haunt these metaphysical interiors perhaps foreshadowing a more enlightened time.
3 of 3 people found the following review helpful.
Hughie Lee-Smith:Enigma,Melancholy and Truth
By BIgDubya
I try to make it a thing to discover a new artist or work everytime I visit a major art museum for the first time.
Walking thru the fantastic African American wing @ the DIA,I came upon four paintings which stopped me in my tracks.They all featured a lone figure in the midst of a vast,decaying urban landscape.These subjects all seemed to be in a state of contemplation,as if surveying their current dilemmas which surrounded them.
It occured to me that this guy wasn't painting everyday urban scenes,but depicting images which were borderline surreal,almost,and I say ALMOST,in the same vein as De Chirico.These are pictoral equivalents to different states of mind and feeling.Hughie's images connect with us since we've all been in the place his subjects find themselves in.Lonely,but with a sense of hope.Quiet reflection in an otherwise loud and fast paced world.Looking far and wide across great spaces to find our place.
Onto the book itself,the text is well written and provides a thorough biography of the artist.It puts his various works into context and provides beautiful reproductions.
This seems to be the only book on the artist,which is such a shame,however we are lucky that the only one out there hits all the right notes.
2 of 2 people found the following review helpful.
Wonderful book!
By Smarsh
The Hughie Lee Smith book was a wonderful compilation of his art and also a fastinating read of the journey of his life.
Hugh Lee Smith was an incredibly talented artist as well as a pioneer in his time.
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